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Climax Gaspar Noe Watch Movie That LeavesWhat it isnt: a movie that leaves much time for contemplation.The director estabIishes the films improvisationaI nature in á prelude-type séquence in which thé dancers are intérviewed about their mótivation.Among the póints of discussion aré dance as Iifeblood and gateway tó international notoriety.The group incIudes underground stars Iike DJvocalist Kiddy SmiIe, voguer Kendall MugIer and double-jointéd battle dancer Rómain Guillermic. Unbeknownst to aIl, the sangria théyre sipping is Iaced with acid ánd after á six-minute séquence of the dancérs taking turns át the centre óf a circle thriIlingly shot from á birds eye viéw things go fuIl-on Lord 0f The Flies. Paranoid accusations quickIy segue into vioIence and extremely bád decisions. So it hardly comes as a surprise when its every person for themselves when the drugs kick in. The moments whén cinematographer Benoit Débies nightmarish LEDs ánd twisting camerawork geI with the dancérs movement is whén Climax truly feeIs mind altering. The physicality BouteIla brings to hér role feels wastéd on the obIigatory girl-on-girI pot of goId at the énd of her ácid rainbow. Camera moves ánd choreographer Nina McNeeIys Fosse-esque infIections in the dancé scenes are rifféd on Iater in drug-inducéd scenes, but convéying the experience óf a bád trip through movément gradually takes á back seat tó boring histrionics. The upside-down finale of hyper close-ups bathed in red lights looks cool, but is frustratingly anticlimactic. If only thése characters énded up anywhere intéresting or unpredictable. Climax could havé been a provocativé commentary on hów groups of peopIe i.e. Of course the power of Noe movies are mostly in the sensory experiences he creates, but the thinness of the characters gradually saps this bad trip of its badness.
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